中国艺术家毛雪峰欧洲巡展

　　此次展览旨在展示当代艺术的繁荣与发展，呈现出多元化、创新性的艺术风貌。在这里，您可以欣赏到绘画、雕塑、摄影等多种形式的精彩佳作，领略到艺术家们独特的审美追求和艺术风格。每一件作品都凝聚了艺术家的心血和智慧，传递着他们对生活的热爱和对美的执着追求。

　　我们希望通过这次展览能够搭建起一个交流与学习的平台让更多人走近艺术、了解艺术、热爱艺术。同时我们也期待与您共同见证艺术的辉煌时刻，共同为推动文化事业的发展贡献自己的力量。

　　This exhibition aims to showcase the prosperity and development of contemporary art, presenting a diverse and innovative artistic style.

　　Here, you can enjoy wonderful works in various forms such as painting, sculpture, photography, and appreciate the unique aesthetic pursuits and artistic styles of artists. Each work embodies the artist's hard work and wisdom, conveying their love for life and persistent pursuit of beauty.We hope to build a platform for communication and learning through this exhibition, so that more people can come closer to art, understand art,and love art. At the same time, we also look forward to witnessing the glorious moments of art with you and contributing our efforts to the development of cultural undertakings together.

　　【名家简历】

　　毛雪峰，大漠堂主，中国现代重彩山水画的开创者。全世界非物质文化遗产研究院特聘院士。甘肃临洮人，2005年定居北京。1989年毕业于新疆艺术学院美术系，1997年毕业于北京画院中国画专业研究班。2023年被特聘为“世界非物质文化遗产研究院特聘院士”。先后深造进修于中央美术学院，中国国家画院，清华大学研究班、精英班。西游边陲二十载，足迹遍及天山南北。他特立独行，致力于丝路山水画的探索实践和西域大美的深度开掘和表现，创立西域重彩山水画，是中国西部丝绸之路山水画题材的开拓者和践行者。“毛雪峰作品在传统与现代、抽象与具象、水墨与色彩、中西方艺术融合方面是一次积极的尝试和突破，已将关照面从‘西部风情’的再现，拓展到西部精神的表现，增加了历史的纵深感”。“其境界之壮阔，意蕴之豪迈，丘壑之雄奇，色彩之交响，形成了独特的画境和艺术风格。”(摘自《美术》2003年第9期)。多年来毛雪峰的山水画作品多次参加全国美展，并在30多个国家和地区交流展出或获奖，数百幅作品发表于全国及海外各类主流期刊。先后在中国美术馆、敦煌博物馆及日本东京中央美术馆银座、美国纽约国际艺术博览会、美国玛瑞埃塔大学、法国巴黎卢浮宫、迪拜、英国、印度、俄罗斯列宾美术学院、加拿大、澳大利亚、欧洲、东南亚各国及全国各地多次举办个展或联展，进行学术交流和讲座，受到广泛好评。2005年中国美术报学术提名“西风浩瀚，西北五省国画百家。”2007年中国书画报颁发“全国书画界50位著名画家终身艺术成就奖。”2006年荣获“世界华人艺术家杰出艺术成就奖。”2008年在全国政协礼堂获颁“改革开放三十年杰出画家”殊荣。2016年评为“全国当代30家最具学术价值与市场收藏升值潜力的国画家。2010中国文联评为“中国山水画200家”“99中国百杰画家”。2012年中国文联中国文学艺术基金会颁发“文学艺术杰出成就奖”。2013年被评为“全国最具创新国画艺术家”和“当代国画家中15位书法家”、2023年联合国教科文组织颁发“世界艺术奖”。作品曾获“联合国国际和平年艺术大奖”“20世纪国际艺术名家教授成就大奖”“亚洲中国画巡回大展金奖”“2008年和谐中华迎奥运全国美展金奖”“西安世博会全国美术展览金奖”“当代国际水墨画大展沙龙奖”“美国第35届纽约国际艺术博览会国际金奖”及“中美文化交流使者”称号、“中印文化艺术使者”“中俄文化艺术交流大使”。

　　毛雪峰先生应邀赴国内外多所高校作演讲和学术报告。2008年他应邀在北京大学百年大讲堂作了主题为《创新是攀登的天梯》演讲2013年他应美国马瑞埃塔大学邀请举办个展并向师生们作了题为《阅读美国》和《中国水墨与西方色彩之吻》的演讲。2014年他应兰州大学邀请于11月10日作了《重彩山水画的创立与发展》《我的艺术人生》演讲。2016年应印度新德里夏尔达大学邀请作了《丝绸之路万里行》演讲。毛雪峰先生曾多次担任中国创新艺术家提名活动学术主持人。2023年6月应邀为北京林业大学艺术设计学院演讲《艺术是生命》。

　　历任新疆自治区书画研究院首任院长，新疆丝绸之路书画院常务副院长兼秘书长，全国当代山水画大展组委会副主任。现为中国民进会员、国家一级美术师。北京中国西部画院院长、中国重彩山水画院院长、民进中央开明画院常务理事兼新疆民进开明画院名誉院长、美国中国美术家协会副主席、加拿大世界艺术家联合总会副会长、北京大美书画院院长，北京毛雪峰艺术馆馆长、北京雄峰科技文化研究院院长、中国石齐艺术研究会副会长、中国孔子书画研究院名誉院长。兰州大学、扬州大学、北京林业大学客座教授、硕导，日本国艺术院、中国香港艺术研究院、印度新德里夏尔达大学、定西师院等大学客座或兼职教授，新疆石河子大学新疆大山水画研究院副院长、研究员、江苏省国画院特聘画家，文化部中国少数民族促进会理事，中国创新艺术家提名活动学术主持人，中国山水画研究会名誉会长。

　　名辑《中国美术年监》、《中国美术家人名词典》、《中国大百科全书·新疆卷》、《临洮县志》、《美国世界名人录》等辞书。《美术》、《江苏画刊》、《中国画》、《美术观察》、《书与画》、《美术家通讯》、《中国书画报》、《美术报》、《人民日报》、《光明日报》新华社、《欧洲时报》、《中国澳门日报》、《中国书画报》、《中国艺术报》、《中国文化报》《国画家》、中央电视台等多家媒体对其艺术成就均有专题报道。其作品被齐白石艺术馆、上海市博物馆、中国香港艺术中心、敦煌博物馆、日本东京美术馆、美国纽约大学、中国台湾海基会、俄罗斯列宾美术学院、印度夏尔达大学、法国卢浮宫、美国马瑞埃大学博物馆等国内外30多家博物馆、美术馆收藏。

　　国家文物出版社出版有《毛雪峰书画集》、《毛雪峰画集》、《毛雪峰书法集》、《毛雪峰重彩山水画集》、《毛雪峰艺术评论集》。

　　近现代以来，中国传统绘画经历了翻天覆地的变革，无论是艺术理念、创作视角、构图样式，还是笔墨技法、色彩运用、题材拓展等诸多方面都可看到中国画家做出的延伸与拓展。特别是在中国山水画领域，自李可染提出“为祖国河山立传”的口号之后，山水画的创作面貌不再固守明清以来的文人画体系，画家的足迹开始遍布各地，并涉猎和写照更广泛的绘画题材，从此沙漠、戈壁、海滩、草原等原本在中国传统绘画中被认为是不入画的题材也渐渐进入中国画的创作范畴。通过这一突破常规、探寻自然的伟大进程，不仅丰富了中国山水绘画的风格面貌，而且让传统的笔墨、色彩、构图等技法都得到了史无前例的升级与改造。

　　作为新疆重彩山水画的创立者、中国西部画院院长，毛雪峰深入新疆驻地长达二十余年，从重彩山水到大漠胡杨，无一不体现着他对新疆地域的浓浓喜爱与深厚情感。近两年来，随着其艺术功底的愈发炉火纯青，开始大胆尝试起前无古人的草原山水题材，经过长期的写生实践与理念研究，足迹遍布内蒙古、甘南、河西走廊、青海草原以及印度、俄罗斯、美国、迪拜等国，如今，毛雪峰的创新草原山水绘画已然风格确立且成就显著，也成为中国草原山水画领域中开宗立派的第一人。

　　Mao Xuefeng, the leader of the Desert Hall, was the pioneerof modern Chinese heavy color landscape painting.Distinguished academician of the World Intangible Cultural Heritage Research Institute. Born in Lintao, Gansu, settled in Beijing in 2005. Graduated from the Department of Fine Arts of Xinjiang Academy of Arts in 1989, and graduated from the Chinese Painting Professional Research Class of Beijing Academy of Painting in 1997. In 2023, he was specially appointed as a special academician of the World Intangible Cultural HeritageResearch Institute. I have pursued further education at the Central Academy of Fine Arts, the National Academy of Painting of China, the Tsinghua University Research Class, and the Elite Class. Journey to the western border for twenty years, with footprints covering the north and south of the Tianshan Mountains. He is unique and dedicated to the exploration and practice of Silk Road landscape painting, as well as the deep exploration and expression of the beauty of the Western Regions.He founded the Western Regions heavy color landscape painting and is a pioneer and practitioner of the Silk Road landscape painting theme in western China. Mao Xuefeng's works are a positive attempt and breakthrough in the integration of traditional and modern, abstract and concrete, ink and color, and Chinese and Western art. They have expanded the focus from the reproduction of 'Western style' to the expression of Western spirit, increasing the depth of history. "The grandeur of its realm, the grandeur of its meaning, the grandeur of its valleys, and the symphony of its colors have formed a unique painting and artistic style." (From "Fine Arts", Issue 9, 2003).Over the years, Mao Xuefeng's landscape paintings have participated in national art exhibitions multiple times and have been exhibited or won awards in more than 30 countries andregions. Hundreds of his works have been published in various mainstream journals both domestically and overseas. He has held multiple solo or joint exhibitions, academic exchanges, and lectures at the China National Art Museum, Dunhuang Museum,Tokyo Central Art Museum Ginza, New York International Art Expo,Marietta University in the United States, Louvre in Paris,Dubai, the United Kingdom, India, the Robin Academy of Fine Arts in Russia, Canada, Australia, Europe, Southeast Asian countries, and various parts of the country, receiving widespread praise. In 2005, China Art Daily was nominated for the title of "West Wind is Vast, with 100 Chinese Painters from the Five Northwestern Provinces." In 2007, China Painting and Calligraphy Daily presented the "Lifetime Art Achievement Award for 50 Famous Painters in the National Painting and Calligraphy Industry." In 2006, it was awarded the "Outstanding Artist Award for World Chinese Artists." In 2008, it was awarded the "Outstanding Painter in the Thirty Years of Reform and Opening up" award in the National Political Consultative Conference Hall. In 2016, he was awarded the title of "Top 30 Contemporary Chinese Painters with the Most Academic Value and Market Collection Appreciation Potential in China". In 2010,he was awarded the title of "200 Chinese Landscape Painters"and "99 Top 100 Chinese Painters" by the China Federation of Literary and Art Circles. In 2012, the China Literature and Art Foundation of the Chinese Federation of Literary and Art Circles awarded the "Outstanding Achievement Award in Literature and Art". In 2013, he was named the "Most Innovative Chinese Painting Artist in China" and "15 Calligraphers among Contemporary Chinese Painters". In 2023, he was awarded the"World Art Award" by UNESCO. The work has won the "United Nations International Year of Peace Art Award", "20th Century International Art Masters and Professors Achievement Award","Asian Chinese Painting Tour Grand Exhibition Gold Award","2008 Harmonious China Welcoming Olympics National Art Exhibition Gold Award", "Xi'an World Expo National Art Exhibition Gold Award", "Contemporary International Ink Painting Exhibition Salon Award", and "35th New York in the United States"The title of "International Gold Award" and"Ambassador of Cultural Exchange between China and the United States", "Ambassador of Cultural and Art Exchange between China and India", and "Ambassador of Cultural and Art Exchange between China and Russia" at the International Art Expo.

　　Mr. Mao Xuefeng was invited to give speeches and academic presentations at multiple universities both domestically and internationally. In 2008, he was invited to give a speech on the theme "Innovation is the Ladder to Climb" at the Centennial Lecture Hall of Peking University. In 2013, he was invited by Marietta University in the United States to hold a solo exhibition and gave speeches to teachers and students on the topics "Reading America" and "The Kiss of Chinese Ink and Western Colors". In 2014, he was invited by Lanzhou University to give speeches on November 10th on the establishment and development of heavy colored landscape painting and my artistic life. In 2016, at the invitation of the University of Sharda in New Delhi, India, he gave a speech titled "Journey of the Silk Road". Mr. Mao Xuefeng has served as an academic host for the nomination of Chinese innovative artists multiple times.In June 2023, I was invited to give a speech on "Art is Life"to the School of Art and Design at Beijing Forestry University.

　　He has served as the first president of the Xinjiang Autonomous Region Calligraphy and Painting Research Institute,executive vice president and secretary-general of the Xinjiang Silk Road Calligraphy and Painting Institute, and deputy director of the organizing committee for the National Contemporary Landscape Painting Exhibition. I am currently a member of the Chinese Democratic Progressive Party and a national first-class artist. President of Beijing China Western Painting Academy, President of China Zhongcai Landscape Painting Academy, Executive Director of the Democratic Progressive Central Kaiming Painting Academy and Honorary President of Xinjiang Democratic Progressive Kaiming Painting Academy, Vice Chairman of the American Chinese Artists Association, Vice President of the Canadian World Artists Federation, President of Beijing Damei Painting and Calligraphy Academy, Director of Beijing Mao Xuefeng Art Museum,President of Beijing Xiongfeng Science and Technology Cultural Research Institute, and Vice President of China Shiqi Art Research Association Honorary Dean of the Confucius Institute of Calligraphy and Painting in China. Visiting professors andmaster's supervisors at Lanzhou University, Yangzhou University, and Beijing Forestry University, as well as visiting or part-time professors at the National Academy of Arts in Japan, Hong Kong Institute of Art in China, Charlotte University in New Delhi, and Dingxi Normal University in India.Vice president and researcher of the Xinjiang Landscape Painting Research Institute at Shihezi University in Xinjiang, specially appointed painter at Jiangsu Provincial Academy of Traditional Chinese Painting, director of the China Ethnic Minority Promotion Association under the Ministry of Culture,and academic host of the nomination event for Chinese innovative artists, Honorary President of the Chinese Landscape Painting Research Association.

　　Famous dictionaries include "Chinese Art Yearbook","Dictionary of Chinese Artists' Names", "Encyclopedia of China- Xinjiang Volume", "Lintao County Chronicle", "American WorldCelebrities List", etc. Many media outlets, including "Fine Arts", "Jiangsu Painting Magazine", "Chinese Painting", "Art Observation", "Calligraphy and Painting", "Artists Communication", "Chinese Calligraphy and Painting Newspaper","Fine Arts Newspaper", "People's Daily", "Guangming Daily",Xinhua News Agency, "European Times", "Macao Daily", "Chinese Calligraphy and Painting Newspaper", "China Art Newspaper","Chinese Culture Newspaper", "Chinese Painters", and CCTV,have reported on his artistic achievements. His works have been collected by more than 30 museums and art galleries at home and abroad, including Qi Baishi Art Museum, Shanghai Museum, Hong Kong Art Center of China, Dunhuang Museum, Tokyo Art Museum of Japan, New York University of the United States, Taiwan, China Foundation of China, Repin Academy of Fine Arts of Russia,Sherda University of India, Louvre Museum of France, and Marier University Museum of the United States.

　　The National Cultural Heritage Publishing House has published "Mao Xuefeng Calligraphy and Painting Collection","Mao Xuefeng Painting Collection", "Mao Xuefeng Calligraphy Collection", "Mao Xuefeng Colorful Landscape Painting Collection", and "Mao Xuefeng Art Review Collection".

　　Since modern times, traditional Chinese painting hasundergone earth shaking changes. Whether it is artistic

　　concepts, creative perspectives, composition styles, brush and ink techniques, color application, theme expansion, and many other aspects, Chinese painters have made extensions and expansions. Especially in the field of Chinese landscape painting, since Li Keran proposed the slogan "Inheriting the Motherland's Rivers and Mountains", the creative landscape of landscape painting has no longer adhered to the literati painting system since the Ming and Qing dynasties. Painters have started to spread their footprints throughout various regions and have explored and depicted a wider range of painting themes. From then on, themes such as deserts, Gobi, beaches,grasslands, which were originally considered non painting in traditional Chinese painting, have gradually entered the realm of Chinese painting. Through this great process of breaking through conventions and exploring nature, not only has the style and appearance of Chinese landscape painting been enriched, but traditional techniques such as brushwork, color,and composition have also been unprecedentedly upgraded and transformed.As the founder of Xinjiang's heavily colored landscape painting and the director of the Western China Painting Academy, Mao Xuefeng has been deeply rooted inXinjiang for over 20 years. From heavily colored landscapes to desert poplar trees, he embodies his strong love and deep emotions for the Xinjiang region. In the past two years, as his artistic skills have become increasingly sophisticated, he has boldly attempted unprecedented grassland landscape themes.After long-term sketching practice and conceptual research,his footprints have spread throughout Inner Mongolia, Gannan,the Hexi Corridor, Qinghai grasslands, as well as India, Russia,the United States, Dubai and other countries. Now, Mao Xuefeng's innovative grassland landscape painting style has been established and achieved remarkable success, He also became the first person in the field of grassland landscape painting in China to establish the founder school.

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